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Robyn Bauer

See  also additional pages to the left.

Recent Drawings

Sculpture

Garden of Eden

See also my alternative website www.robynbauer.com for a survey of my earlier work.

 Check out my new art blogspot at http://bauerbirdart.blogspot.com/

Robyn is currently director of Robyn Bauer Studio Gallery. Former President of Sculptors Queensland.

Robyn has worked as Education Officer at the Queensland Art Gallery, as Art History lecturer at Queensland Institute of Technology and Brisbane Institute of Art.     She has also worked as art critic for The Courier Mail,  Art Slide librarian for the University of Queensland and Art Teacher at Nudgee College. She has taught art classes from her studio since 1993 and done portrait commissions for many years.

She is currently curating some special themed shows for Robyn Bauer Studio Gallery for 2010 and 2011.

Education

Robyn studied as a child in Dalby with the Australian Flying Arts School under Mervyn Moriarty and in Brisbane with the Eastaus Art School.

She graduated with a BA from the University of Queensland in 1978 and upgraded to an honours degree in 1990 with a thesis entitled "Angel or Whore"  -the women in Hogarth's etchings.

In 1991 she completed a Diploma of Education at Queensland University of Technology. Many years of life drawing with David Paulson have provided a firm foundation from which her individual style has evolved.

Exhibitions and Awards

Numerous solo and group exhibitions in Queensland since a solo exhibition at the University of Queensland Staff Club in 1977 while still  a student.

Awards include - Portraiture Prize Maryborough, Clevevland Art Award, 2001

Wide Bay Art Award and Caltex City of Brisbane Award.

Represented in collections around Australia, England and the United States.

Her current work could be described as "Symbolism" and she is now focusing on ceramic sculpture.

Upcoming shows include

2009 - January, Logan Regional Gallery

2009- May, "Homecoming" Dalby Regional Gallery

2009 - June  "Exotica"  - a mini retrospective exhibition of selected works from various solo shows over the past 20 years, including paintings, sculpture,  prints and family portraits never before exhibited.

 

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Great Barrier Reef Painting 183x92cm

 

 For the full series of work please visit my artist website at

www.robynbauer.com

 

The following images are only of work currently still available through the gallery 

   - "The Chess Exhibition"

a solo exhibition of paintings and sculpture about chess, about birds and a personal symbolism that combines the two

 

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Seventy-two Symbolic Souls        184 x 91cm

 

My obsession with birds and bird symbolism has been with me for many years. The significance of both my names being bird names has of course, occurred to me.

The concept of chess and chess sets is that they are symbols also. Each piece represents so much more than the obvious. They are symbols, metaphors for many aspects of life.

 The bird symbolises the human soul, - the exaltation of thought and imagination. Throughout history people have associated the bird with a freedom from earthly limitations and the catharsis of spiritualisation.

The elememt of air is the bird's domain. They were believed to mediate between the earthly realm and the heavens. They carried the souls of humans upwards, at last free of the restraints of the earth bound body.

 
 
 Chess is a mirror ofthe infinite possibilities of the human mind. It is a pure form of communication with a unique and unusual set of symbols. The fundamental principal of the chessboard is the basic layout of a temple or city with the black/white squares infinitely reproducing themselves in the unflding of space. The game is adversarial but the sides are evenly matched. It is a game of skill. strategy. manipulation, instinct and forethought.There are only two outcomes. Either you win or someone else wins.
 
 
 
 
 
 
 
 

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Chess Painting - Tactical Manoeuver
 
The Handbird

It was while laying with drawings of wings that I discovered that my hand silhouettes and my wing drawings were the same. The feathers look like fingers and they are both sets of appendages. The idea took off from there, - the hand bird and the birdhand. A bird in the hand, a hand in the bird.

To me it was simultaneously something amazingly obvious, yet an incredible epiphany. Certainly it was an original thought. I had never seen this idea played with in art of any sort.

I have explored the idea ever since. My birds have grown hands, my hands are birds. Now my trees have also grown hands.

Everything is interconnected. I am making parallels that I feel are already there in nature and in spirit.

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Chess Painting - A Bird in the Hand Contemplates a Move 
 
 

 

 
 
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Part of the Large Chess Set
 
 
 
 
Leonardo said "the cat is perfection" and I'm sure that is true, but perfection is also the bird. A little set of bones and fluids and a few feathers and it can actually fly! - actually have its total weight suspended on the air currents. I think the cat chases after the bird because it wants some of that perfection.

My artwork is inspired by the simplest of things, the bird, the hand, the tree, but these simple objects have become so multi-layered with meanings through their depiction by millennia of artists. To me they are iconic and symbolise practically everything there is say about life. I like to hint at these other meanings, and their interconnectedness.